Welcome to Follywood!: The ‘Foreign’ Film Market

Bollywood is the term given to the Mumbai-based film industry in India, and one of the largest centers of film production in the world (Wikipedia, accessed 27.8.14). Bollywood makes over 1000 movies a year, and is considered one of the highest earning industries for Mumbai (BBC, 2011). Not only is Bollywood a major financial asset for India, but its productions are a cultural export, increasing India’s soft power. Even though the films consist of Hindi dialogue, they are popular in countries all over the world, “Bollywood is already … bringing its brand of glitzy entertainment not just to the Indian diaspora in the US or UK but to the screens of Syrians and Senegalese, who may not understand the Hindi dialogue but catch the spirit of the films, and look at India with stars in their eyes as a result” (Shashi Tharoor, sourced from lecture notes).

Bollywood films are famous for their beautiful costumes and elaborate dance numbers. Source: http://chandrakantha.com/articles/indian_music/nritya/bollywood.html

Bollywood films are famous for their beautiful costumes and elaborate dance numbers.
Source: http://chandrakantha.com/articles/indian_music/nritya/bollywood.html

 Nigeria has it’s own, up-and-coming, film industry. In 2007 alone, ‘Nollywood’ produced 1,687 films making it the third largest film industry in the world (Khorana 2014). Nollywood emerged in the early 1990’s, based upon the Yoruba travelling theater tradition. Since it’s emergence, Nollywood has become, “an art and industry…[that] compels attention from those outside its field of operation and cultural vision” (Okome 2007). However, unlike Hollywood and Bollywood, Nollywood makes it’s films for the entertainment of the local population, with little regard of how it is perceived in foreign markets (Okome 2007).

 Both Bollywood and Nollywood draw on local and global influences, with a mix of tradition and modernity (Khorana 2014). Both industries have seen relative success in foreign markets. With the exportation of these films, boundaries between countries & cultures, tradition & modernity and high & low culture, have been blurred (Khorana 2014). The film industry has become a form of international soft power, and a driving force in dispersing not only the country’s culture, but also the popular culture of countries from all over the world.

 However, Hollywood still dominates the Global North, with its financial success and international recognition. Although these ‘foreign’ film industries are building there own rapport in the international market, it is difficult to find the same success with a Western audience, to whom experiencing a film is a different experience entirely. For audiences of Bollywood and Nollywood films, viewing is a collective and even social experience. Okome (2007, p.79) discusses the “’street corner’ audiences coming together in front of video and music stalls. These are the main outlets for the rental of video and music cassettes, VCDs and DVDs in Nigerian cities”. In Indian (particularly Bollywood) cinema’s, viewing films is a social experience, involving large groups of people, conversations and shared enjoyment, unlike the Western reverence of viewing a film in a movie theatre (Frew 2014).

 Although the themes of these international film industries are transcending borders and aiding in the promotion of soft power globalisation, I regrettably doubt that the films will see the same success as Hollywood has in foreign markets, due to the differing ways we, as Westerner’s, consume and engage with our films.

Reference List

Khorana, S 2014, BCM111 Global Film Beyond Hollywood: Industry Focus: 2014 lecture notes 20th August 2014, University of Wollongong, Semester 2, 2014.

 Frew, C 2014, BCM111 Global Film Beyond Hollywood: Industry Focus: 2014 tutorial discussion 28th August 2014, University of Wollongong, Semester 2, 2014.

 Freelance Lighting Cameraman (BBC), 8th July 2011, What is Bollywood, Youtube, 27th August 2014, <https://www.youtube.com/watch?v=WikpP_WC7eQ>.

 Okome, O 2007, ‘Nollywood: Spectatorship, Audience and the Sites of Consumption’, Postcolonial Text, vol. 3, No. 2, University of Alberta, cited in BCM111 International Media and Communication Subject Reader, University of Wollongong, Wollongong, Australia, reading 6.

 Wikipedia, n.d, Bollywood, viewed 25th August 2014, <http://en.wikipedia.org/wiki/Bollywood>

International Education: A ‘Rich’ Cultural Experience

International education is increasingly important due to globalising industries, international workforces, understanding global issues and developing cultural awareness and understanding (Khorana 2014). But furthermore, international education is an educational, social and cultural experience, with immense potential to enrich the lives of all who encounter it (Marginson 2012).

In 2009, 22% of tertiary students studying in Australia were international students (ABS 2011). In 2010-11, international education activity contributed $16.3 billion in export income to the Australian economy (ABS 2011). This significant figure indicates just how important international education is to Australia’s cultural landscape and economy. As international education continues to succeed as a business in Australia, the quality of the international student’s experience should increase as an intercultural encounter as well (Marginson 2012).

Unfortunately though, to some, these students are only significant due to their financial potential and therefore, “international education is not the rich intercultural experience it could be” (Marginson 2012, p. 1). Some of these motivated and determined students, who seek to come to Australia for the rich cultural experience that is advertised, do not always enjoy that experience. Instead encounter violence, discrimination, exploitation and isolation upon arrival.

"Indian student Sourabh Sharma was bashed and robbed by a racist gang on a train to Werribee" (Jewel Topsfield, 2009) Photo Source: Penny Stephens

“Indian student Sourabh Sharma was bashed and robbed by a racist gang on a train to Werribee” (Jewel Topsfield, 2009)
Photo Source: Penny Stephens

In 2009, the Australian and Indian media widely publicised the reports of crimes and robberies against Indians in Australia. The Indian government carried out investigations into these attacks, which concluded that out of the 152 reports of assaults against Indian students, 23 incidents had “racial overtones” (Wikipedia; retrieved from India Express 2010). The result of these attacks led to a sudden decline in Indian student enrolments, with numbers down by 40% in 2010 compared to 2009 (Hartcher 2012). Considering the total average economic benefit international students bring to Australia of about $34,000/ year, this indicated an approximate total loss of $50 million for that year (Hartcher 2012). Hartcher, The Sydney Morning Herald, commented that, The country has suffered real reputational damage, real economic cost, and real diplomatic disadvantage.” But even worse than this, Australia’s international relations were damaged by these violent attacks, diminishing the appeal of Australia to international students. After these attacks, the total number of Indian students studying in Australia was down by 5% compared to the previous year (Hartcher 2010). John McCarthy, previously Australia’s High Commissioner in India, pointed out that in a survey conducted in India, Australia, previously fifth most welcome country to Indians, had dropped to fortieth. Although many see this as an economic disadvantages, it is also a major cultural disadvantage.

Indian students protest against the violent attacks. Source: http://shiningindianews.com/indian-student-attacked-in-australia/

Indian students protest against the violent attacks.
Source: http://shiningindianews.com/indian-student-attacked-in-australia/

Though these types of violent and discriminatory attacks are not the case for all international students, it should not be the case for any international student studying and living in Australia. As a nation that prides itself on multiculturalism, only to be repeatedly criticised for its racism, international education should be seen as one (of many) chances to showcase our cultural awareness and appreciation. International education is providing tremendous opportunities across the globe. Not only are academic, training or sporting ventures granted to those who are lucky enough to undertake such an adventure, but a fresh perspective is gained by those who encounter these international students.

Reference List

Khorana, S 2014, BCM111 Internationalising Education: 2014 lecture notes 13.08.2014, University of Wollongong, Semester 2, 2014.

Australian Bureau of Statistics 2011, viewed 19.08.2014, <http://www.abs.gov.au/ausstats/abs@.nsf/Lookup/4102.0Main+Features20Dec+2011#ENROLMENTS>.

Marginson, S 2012, Morphing a Profit-Making Business into an Intercultural Experience: 2012 lecture notes. 

Hartcher, P 2010, ‘When Indian students suffer, Australia risks being scarred for life’, The Sydney Morning Herald, April, viewed 19.08.2014, <http://www.smh.com.au/federal-politics/political-opinion/when-indian-students-suffer-australia-risks-being-scarred-for-life-20100412-s3zh.html#ixzz3Apklp000>.

Wikipedia, viewed 19.08014, <http://en.wikipedia.org/wiki/Violence_against_Indians_in_Australia_controversy#cite_note-india.embassy.gov.au-2> ; Source retrieved from on 25.2.2010 Indian Express.